Tag Archives: 2006

The Mysterious Number 1

When I was cycling around the neighborhood, taking photographs of the public art in Venserpolder, I noticed that a building on the corner of Dotojeveskisingel and Dantestraat had an enormous number 1 painted on the corner of the building.

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The corner of Dotojeveskisingel and Defoelaan

I wasn’t sure if this was also some other form of public art/mural painting, or more likely that it was meant to label the building, like I had seen previously in South Korea, where the Stalinistic apartment blocks seem to require numbers painted on the sides so that the residents can tell which one is home. The simple fact that it was the only building in the neighborhood with a number on made me a little curious.

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Apartment blocks in Gwangju, South Korea

Today, while doing a walk around the Venserpolder with Art, I asked him what it was for. Sure enough, that was Block 1. Mystery solved, except that he wasn’t sure how Blocks 2, 3, 4, etc avoided being numbered.

originally posted on http://ozonieuws.blogspot.com/

Public Art in the Venserpolder

During my walks around the Venserpolder with An, I was introduced as the Kunstmeester , or the Art Master to the residents who didn’t speak Dutch. It was kind of odd having a random title like that thrown on you, but if it made her job as Wijkmeester any easier, I was happy to go along with it.

The whole concept of a Kunstmeester in the Venserpolder is, if truth be told, slightly odd. By my count, there’s 3 works of public art in the neighborhood. Out of curiosity I did some checking, and discovered that there was at least one, to two, more works that I hadn’t seen, or had forgotten.

The public art there falls under the old school, modernist “let’s stick something on a pedestal, or just make it big and plant it here, and please, please, please – no content” genre. None really seem to have any connection or engagement with the neighborhood, the location, or the people living there, and to make matters worse – none of them have any real aesthetic appeal.

Along the Christiesingel there’s a semi-circle rock. I don’t know who the artist is, or when it was made. It’s a roughly chiseled stone sitting on top of a concrete pedestal, with some decorative supports.

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Then there’s the ‘boats’. I’m not 100% sure if this is a public work of art, or a piece of landscape architecture. There’s some boat shapes, reminiscent of Renzo Piano’s Nemo Museum, made out of brick, coming up, or sinking into, the grass, along the canal.

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In the middle of the Dotojeveskisingel is a boat in the canal, with grass/trees/vegetation growing out of it.

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If anyone knows who’s responsible for either works, could you let me know?

Now, moving along, there’s the “Sail’, which is how An referred to it, if I recall correctly. I was able to find some info on the work , and discovered that it’s 1990 piece by Jos Kokke. Apparently Kokke was referring to the obelisks in Paris, because he felt that the streets of the Venserpolder were reminiscent to the wide boulevards of the city of light. He got one thing right – the streets in the Venserpolder are wide.

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Then there’s the two pieces I have yet to see. One is in/at the Venserpolder Metro station, a work by Michel Somers. I suppose I missed it because I ride my bike to the Venserpolder, instead of taking the metro. The piece has a Smith, caro, minimalist aesthetic, which isn’t a great surprise considering that it’s from 1979. I’ll refrain from further comment, mostly because I haven’t seen it with my own two eyes.

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The other ‘work’, which I found on the amsterdamzuidoost.net website is in a playground , at the Basisschool de Schakel, on Dumaslaan. Apparently it’s from 1985, and the artist’s name is E. van Lopik. The author on the website wasn’t sure if it was art or not. I can understand . That’s about all I know about it, I’m afraid.

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So, that’s a brief recap of past artists endeavors in the Venserpolder. I think it’s fairly obvious that none of us will be planting a modernist sculpture along a canal, or in one for that matter, but I thought it was still good to know.

originally posted on http://ozonieuws.blogspot.com/

The Pearl

At the first meeting Marco asked about the ‘Pearls of venserpolder’. I can’t remember what some people’s pearls were (the inner courtyards was one if I recall correctly), but I don’t think the artist of Dumaslaan was mentioned.

When An first took me on her rounds, she mentioned something about a woman who decorated her vestibule, and left recipes for various dishes on her door. To be honest, I didn’t think much about it (negative or positive) .

Later that day we happened to be passing by the building of the woman, and An took me in to show me her door/vestibule. I was impressed, if for no better reason than the fact that it was allowed to remain, when everything else in the stairwells was so heavily regulated. An had never met the woman who lived behind the door, but asked if I’d like to meet her. I thought – why not?

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An buzzed the door, and the owner opened it. An introduced herself, and we complimented her on her work. While she was speaking to An I found myself peeking through the crack of the door, trying to sneak a look inside. Not very respectful, or Dutch, but hey, I’m not Dutch. Maybe the woman noticed, because she invited us in to her place.

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The textured globs on the wall are Mihoen Noodles.

I felt like Charlie in Willie Wonka’s chocolate factory – she had turned just about everything in the apartment into a work of art: from the refrigerator, to the bathroom, to her wardrobe… When she wasn’t painting, or making sculptures, she was making clothing. All very amazing.

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An admiring the clothes.

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Portrait of the artist wearing one of her creations.

originally posted on http://ozonieuws.blogspot.com/