Category Archives: News and Exhibitions

Hanging Particples

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March 15 – March 24th
Marshall Arts, Memphis, TN

We are all aware of the current exhibition at the Dixon, “Present Tense.” Regardless of the reason, the Dixon is only so big, only has so much wall and floor space available to exhibit work. So, choices had to be made and some artists had to be left out. This Dixon exhibition has generated a lot of talk within the Visual Arts Community of Memphis. Which is a good thing. And I want nothing else than to be able to have this conversation continue somehow, someway. That is what the show “Hanging Particles” is all about. It is artists that were not included in the Dixon exhibition. This is in no way a second place, second tier grouping of artist and should not be thought of as such. It is simply just a continuation of the work and the discourse generated from the “Present Tense” exhibition.

Curated by Memphis’ Own Dwayne Butcher.

Do You Know (Lille)

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OTTO BERCHEM, DO YOU KNOW

25.01.13 – 31.08.13

Office de tourisme de Lille

Otto Berchem is an American artist whose work explores contemporary society’s social codes and human relations. He conceived the sound installation ‘Do You Know’ as a true investigation inviting us to discover the collection of FRAC Nord-Pas de Calais. This work will be shown for the first time in France at the Lille tourist office beginning in January 2013. The series of questions, which all begin with ‘Do you know . . .?’, enumerates the names of artists with a work in the collection. The seemingly random order in fact follows the order in which these works were acquired by the FRAC; the names are spoken in order of the date the artist’s piece entered the collection. This work will also be presented in the inaugural exhibition of the FRAC/AP2 in Dunkirk in September 2013.

Office de Tourisme de Lille – Palais Rihour
42 Place Rihour -BP 205
59000 LILLE

+ 33 (0)3 59 57 94 00
http://www.lilletourism.com

Mon-Sat 9:00-6:00
Sun 10:00-12:00/2:00-5:00

Otto Berchem – Revolver

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All revolutions go down in history, yet history does not fill up; the rivers of revolution return from whence they came, only to flow again.
Guy Debord

For his solo exhibition at Ellen de Bruijne projects, Otto Berchem’s REVOLVER focuses on the relations between language, architecture, history and poetry. Consisting of paintings, drawings, sculpture and video, and interacting with past experiences, as well as specific sites within his current context of living in Colombia, Berchem produces a series of work revealing the aesthetic connotations of past revolutionary moments.

Through the use of a personal chromatic alphabet developed originally for the project Blue Monday (2011) Berchem proposes a review of iconic images. Creating a parallel history by strategically deleting the pre-existing slogans, he replacing them with his own.

Berchem creates these gaps in time, occupying the image with his chromatic phrases, generating a new tension between history and his version of it. This allows the artist to explore the human necessity for rebellion and protest, and reach for his own place within the power structures that they challenge.

The title REVOLVER spins in different directions. On one hand it alludes to the guns used to aid revolutions, on other it makes reference to the cyclical nature of revolt, and ultimately its failure.

Otto Berchem lives and works in Amsterdam and Bogota. His recent work has been shown in Stem Terug, De Apple, Amsterdam 2012; Etat de Veille, Jousse Entreprise, Paris 2012; You Are Not Alone, Fundacio Miro, Barcelona, 2011; (solo) Blue Monday, La Central, Bogota; Out of Storage, Timmerfabriek, Maastricht 2011.